HAMLET QUARTET

Shakespeare’s text is reconstructed, reappraised and reassigned all the time through diverse institutions, professional readings and amateur practice in specific contexts. HAMLET QUARTET is an attempt to present Shakespeare’s Hamlet (the base text chosen by our team) through the lens of 20th Century literary writing, which re-reads and revises the context and narrative of the original text, back into the original. This (re) writing belongs to the scripts of two well known authors – Hamletmachine by Heiner Muller and Rosencrantz And Guildenstern Are Dead by Tom Stoppard. Both these texts extend the premise of the original, pushing and pulling its structure, character-logy and significance in diametrically placed positions. While the former maps explosively the political crisis of the Modern Man post-world war, post-holocaust and locates him amongst contending national & international identities, the latter ridicules the existential dilemmas of the same man with warmth, wit and deliberation. All three texts thrust the limits of language and imagery to their very extreme. The show is arranged episodically and young performers from different regions of India have been drawn into this production to grapple with concurrent renderings of Shakespeare. It also highlights the conflict between two generations and their choices between nationhood, duty, family and love. The time is now, the world is one of violent and competing internationalism. Finally, the appreciation of Hamlet belongs to the development of the critical faculty, an informed reflection and hesitation in a time of violent and competing Internationalism.

Concept & Direction by Amitesh Grover | Set & Lights Design by Randhir Kumar | Dramaturgy by Keshav Kumar

Cast - Hamlet - Vipin Bhardwaj/Ophelia, Guildernstern, & Clown - Savita Rani/Gertrude, Rosencrantz & Clown - Laxmi Rawat/Ghost, Claudius, Polonius & Laertes - Nitin Kishor Bhajjan

Duration: 90 minutes | Language: Hindustani | Produced by GATS International Festival, Beijing, ChinaCulture is made constantly and